Showing posts with label Shopping. Show all posts
Showing posts with label Shopping. Show all posts

REALLY- Vampire Killing Kit's. Tool's for Killing The Undead

Posted by Inquiry into Diabolism On Tuesday, August 16, 2011 0 comments


Vampire Killing kit. No, seriously!

October 27, 2007
I was inspired to write my own thoughts on this subject by afascinating article <these first 3 links now sadly defunct, see update below> by a “Miss Whiplash” of the excellent sceptical siteMondoSkepto. This highlights a current (shortly to finish) Ebay auction of a supposedly genuine “Vampire Killing Kit”. These have begun to emerge in recent years as a dubious type of pseudohistorical artefact, as Miss W. succintly outlines in another post on the same blog. I don’t think it’s spoiling either her articles, or my post below, to say that they are without doubt or exception, total and utter bollocks. There’s little I can say that she hasn’t already said, but I offer my musings in the hope that they are of interest to any readers. I also provide below another nail for the proverbial coffin of the Ebay kit in question.
fake-kit-2.jpg
The obviously modern “vampire killing kit” now on Ebay
I have somewhat mixed feelings about the sale of these things. Clearly believers and even cynics of the paranormal might potentially fall for these obvious fakes, if they have only limited knowledge of history and experience of handling antiques and historic objects. But it’s just such a silly idea and the current Ebay piece such a bad effort, that I find it hard to raise much sympathy for any prospective buyer. That anyone might be taken in enough to drop over $1000 on it makes me sad. So, in case it isn’t immediately obvious, let’s take a look at the latest “kit”. The first thing, as Miss Whiplash points out, is that the little bottles are simply modern miniature spirits bottles with external screw-tops that give the kit a terminus post quem date of AD 1852, which of course is already later than the date offered in the auction. Screw-tops of this style were also not common until at least the 1920s. It’s not just the bottles though. For me, the overall look of the box and the implements is just… wrong. C19th artefacts and containers were hand-made, but don’t typically look as obviously rough and ready as this. The colours smack of modern acrylic paints, whilst the “stakes” look for all the world like resin or some other modelling /prop-building medium. The mallet, whilst apparently wooden, looks like no period tool I have ever seen, though obviously it could be a custom-made anomaly. As someone that regularly handles C18th-C20th books, I would place the book at the early C20th at the very latest, by style of binding and apparent wear/deterioration. Even the crisp-looking butt-hinges and hasp (which appears to be shiny stamped steel or aluminium rather than period copper alloy) are almost certainly mass-produced modern hardware store purchases. All of this is little more than educated speculation of course, but MondoSkepto’s screw-cap bottles are pretty damning, as, I would suggest is the dagger, which is a badly-aged version of this modern replica;
fake-dagger-6378_12.jpgfake-dagger.jpg
Spot the difference!
More than anything else, and what makes this even more a case ofcaveat emptor than the usual fake Ebay dross that can snare the unwary, is that it’s not even a fake of any authenticated type of artefact. In the folk tales of vampires, dedicated vampire hunters are conspicuous by their absence and (though I stand to be corrected Miss Whiplash!) there’s no suggestion that any dedicated equipment was even thought necessary. In cases we’d recognise as close to the modern conception of a vampire slaying, it’s nearly always the easily improvised wooden stake that’s the main tool, followed by decapitation/garlic in the mouth/incineration/whatever else. Silver bullets, as the other blog points out, are a latter-day Hollywood addition to the mythos, and were originally associated with werewolves (though silver in general was thought by some to counter anything supernatural).
For me all of this puts beyond help anyone choosing to bid on this stuff. Falling for a suitably aged modern replica of a well-documented type of antique is one thing, and requires only a lack of experience in the field. The level of belief required to splash $1000 on an unprecedented and anachronistic object pertaining to a supernatural creature that exists only in folklore and fiction, is something else. Interestingly, the Ebay kits are nothing terribly new. Six similar (if far more convincing-looking) kits have been sold by well-known international auction house Sotheby’s (alone) since 1994, including one in 2003 that sold for an astonishing $12,000. This is discussed at the urban legends section of About.com. The latest example, sold this April for $7,200, I have pictured below.
vampire-kit-sothebys-sold-for-72k-n08305-22-lr-1.jpg
A “genuinely fake” vampire killing kit?
As well as the amusingly dinky stake, perhaps for killing mini vampires, notice the corked bottle, dovetailed hardwood box, genuine ivory, period fittings, etc etc. These are either much better fakes made using actual period components, or they are a genuine if rare type of antique. Sotheby’s, as you might expect, opt for the latter, albeit couched in quite careful language. They offer, without evidence, the theory that they were conceived of in the post-Dracula craze of the early C20th and possibly marketed to travellers to Eastern Europe (hence their small size). The line between fiction, folklore, and reality was certainly being blurred for some at that time, with Spiritualism and New Age religion on the emergence. Another possibility is that they were sold and bought as novelty items, in full knowledge (or suspicion) that there was no tradition of their use and certainly no real vampires to try them out on. The difference in quality and apparent antiquity between the Sotheby’s kits and the Ebay versions are quite clear; if the current crop are outright fakes, are the legitimately sold kits really “period fakes” in turn? The problem is that with no historical reference, they could quite easily still be modern fakes – the only pitfall for any forger would be failing to make a convincingly aged label.
This gentleman would have us believe that he started the whole thing as a bit of fun back in the 1970s, and that others have organically copied him in turn and expanded the idea. Though he claims to have drafted the label common to perhaps all of these kits, referring to the fictional Professor Ernst Blomberg and the (generically-named) “Liege gunmaker” Nicholas Plomdeur, he denies having gone so far as to produce the book by Prof Blomberg referred to in the label. This seems to be an embellishment, and one which is demonstrably fake. This pamphlet is that supplied with at least one kit, but unfortunately the content is identical to an 1891 article in The Theosophist journal by an H.S. Olcott and therefore bogus. The good professor even seems to have inspired a fictional counterpart! If Mr De Winter’s really did make the prototype kit, perhaps these latest “budget” attempts on Ebay are nothing more than a continuation of this tradition; the sort of deadpan spoof to be found on the Federal Zombie and Vampire Agency website. However, in closing I’d like to point the reader to this this vampire-related site featuring none other than one of the Ebay slayer’s kits. Perhaps they are in on the joke. I hope so. The alternatives would be too depressing to contemplate.


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Towards a Typology of Vampire Killing Kits

Posted by Inquiry into Diabolism On 0 comments


Towards a Typology of Vampire Killing Kits

October 2, 2010
It seems we have a new VKK on the market – a “high-end” piece regardless of its authenticity and age.

For once we have hi-res images to work with, and it’s almost believably “19th century”, with a pistol that’s clearly hand-made. However, there is a lot of bright steel and fresh scratching on the under-side of the pistol. The red felt lining, though worn in places, is pristine in others and still suspiciously bright. In fact the dye used in its manufacture has stained the ivory on both pistol and the case.
One might expect someone familiar with working with such materials not to have made this mistake, which must have manifested soon after manufacture of the kit and marrs an otherwise attractive object. Someone turning out a modern curio, on the other hand, might not anticipate this result or have hung onto the kit long enough to see the dye bleed in this way. I also see the remains of adhesive on the inside of the lid, and have to wonder whether this kit might too once have borne a spurious “Ernst Blomberg” trade label. I’m not discounting the possibility of a very late (post-Dracula!) C19th kit,
Whatever the authenticity/age of this new kit, I thought it a good opportunity to try to make sense – if such a thing is even possible – of the some of the kits out there.
As you can see from Spooky Land’s attempt to classify and categorise VKKs, it is a daunting task, as no two kits are identical, and very few are even similar, despite the precisely-worded (“Blomberg”) label that many they share. This in itself suggests many different places and persons of origin. However, there are some parallels between kits that may be significant.
According to the seller of the new kit, there were three others like it from the same source. This we can’t confirm, but aside from its unique ivory case and accoutrements, this new kit is very similar to a pair of equally fancy kits sold by Sotheby’s in April 2007.
A very similar fourth kit with cruciform pistol was sold by Fain & Co in 1997.
Like the other three, it is also inscribed ‘I.H.S.’ (for the first three letters of Christ’s name in Greek). A fourth kindred kit is that published in Guns & Ammo magazine (1989) that I mentioned last time. There are no images of this kit anywhere else online, so far as I know (including on G&A’s own site);
It too is really nicely done, and though without “IHS” inscription, contains that unusual under-hammer cruciform pistol. To get techy for a moment, the similarity between the pistols is far from superficial. All are muzzle-loaded, featuring a combined mainspring and (under-)hammer that is ‘cocked’ into a notch on a folding trigger. When this is pulled, the tensioned spring slaps down onto a percussion cap at the breech and fires the main charge. A crude but clever way to incorporate a gun barrel into a wooden cross-shaped stock. The Fain kit lacks the combined ramrod/stake of the Forgett piece, as well as the bevelled arms of the cross/stock on the latter (probably an attempt at ergonomics)! The new (Greg Martin) gun opts for a folding knife-bayonet in lieu of a stake. The other cross-pistols also have wooden ivory-faced cruciform stocks, where this new one is solid steel with ivory cladding. Otherwise they are clearly either by the same maker, or are close copies of each other.
There is one other possible example of kit with cross-pistol at the Gatlinburg branch of Ripley’s, however the contents of the kit don’t seem to match their own caption. In any case, the pistol visible in that kit does have a similar underhammer system of ignition albeit fitted to a much more conventional mid-C19th pistol.
Where to go from here? I decided to look for parallels beyond kits with cruciform guns. I found it in the Ripley’s kit from San Francisco, which has a cross in the same style as the guns (possibly even a gun in its own right) which, like the two Sotheby’s kits and this new example, is also ivory-clad and marked ‘IHS’.

We then have yet another Ripley’s kit with what appears to be a folding plug bayonet (with silver-tipped stake attachment) for its (unusually flintlock), again marked ‘IHS’. Incidentally, despite its cheesy appearance, it is also more convincing than most kits, as the typically French case design, complete with cruciform cut-out for the bayonet, all look to be genuinely mid-C19th in date. It is essentially a cased pistol with the one specialised “anti-vampire” component, rather than the usual mish-mash in which the pistol is just one element.
There are then many more kits containing small wooden crosses faced with ivory – it is tempting to include these also, but I don’t want to over-reach myself by making such tenuous connections.

Returning to the Mercer museum’s kit – proven to be of modern manufacture, let’s not forget – we find yet another cross, lacking the IHS inscription but containing the same clipped circular religious medallion at its centre as the Forgett kit’s cross-gun. The author of the Guns & Ammo article supposed this to be St Peter, but given the analogies of impaling demonic creatures with long phallic objects, this is most likely Saint Michael.

This probably relates to the association of St. Michael with the exorcism of evil spirits in the Catholic religion. Not really something seen with the folkloric vampire, and so tempting to take as another hint that we’re dealing with the post-Dracula era.

From the Mercer kit, which has silver balls marked with crosses, we can also include this kit, now in the Victoria Police Museum in Australia.


This in turn takes us right back to the Forgett kit, as all three contain silver (possibly actually pewter) balls (i.e. bullets) with crosses cut into them. As I’ve commented before, the literary references for this practice date from the ’60s and ’70s.

The Victoria Police Museum kit is another fascinating one for which I have some more details. The pistol is a late percussion type made by Calderwood & Son of Earl Street, Dublin. This version of the name plus its obsolete form lets us date the gun to the period 1857 to 1870. No other kit contains a pistol of this size and type. In addition, its case bears an unusual inscription in a vaguely medieval script;

aski kataski
haix tetrax
damnameneus
aision

It’s a version of an old supposedly magical phrase (think ‘abracadabra’) found on the statue of Artemis at Ephesius (c500BC) – a phrase of unknown origin that was used in everyday magic and ritual in the classical world. It seems to have survived via Gnostic Christianity into the 19th century in the form found on that lid – which whatever the maker’s rationale for using it, certainly appears in Madame Blavatsky’s Theosophical glossary (Theosophy being a new age religion from the 1870s onwards). It’s still in ‘use’ today with ritual ‘magicians’ of one sort or another. The inscription is in a bizarre typeface resembling none I have ever seen (answers on a postcard). It is inlaid in a style that to me suggests mid-19th century at the earliest – but shows cleaned areas in the aged/treated wood around each letter, suggesting that they are later additions. Pistol cases typically either eschewed decoration altogether, or had an escutcheon plate or decorative shape inlaid into the centre of the lid. The lining itself is not very mid-C19th as it uses cut-out forms with finger slots instead of the usual divided compartments. I think it likely that this is a re-use of an older pistol case.

What conclusions can we draw from this group of kits? Sadly, not many. Though far from being copies of each other, there are clear connections between these half-dozen or so kits that suggest a common origin. One possibility is a ‘school’ of vampire kit makers turning out multiples in order to make money. Another, just as likely, is that we are witnessing an organic string of copyists taking ideas from a kit or kits that they’ve seen and making their own version with the antique items and craft skills that they have available to them. In any case, this web of connections includes our only proven fake, casting doubt upon the others by association and to varying degrees. This doesn’t automatically make them all fakes of course.
Given that Val Forgett was a replica gunmaker by trade from 1956 onwards, it would be a neat conclusion indeed if we could say that he was the originator of the Blomberg kits. However, he was also an international dealer in antique arms and armour, and claimed in the article that he bought the kit ‘at a gun show’ in the US. This is unlikely to be the kit allegedly sold by Michael De Winter in England in 1972, as he made no mention of such an unusual pistol. Is it the product of an imitator? As with most other questions surrounding these kits, we are unlikely to ever know unless more VKKs can be scientifically tested or at least subjected to closer scrutiny by specialists outside the auction houses that do so well out of selling them.


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